SkyWorld

“ Blake Neely? What is she?” That was basically my reaction when I read who was composing for the Arrow TV series. I repent in dust and ashes, shaving my head and clothing myself in the most sack-ish of sackcloth. This. Score. Is. Phenomenal. Some amazing scores for superhero shows have come out over the years, but this re-defines amazing. In all reality, I would have to say this is very possibly better than the scores for most superhero films. I only know of two or three that are even slightly better than this. Okay, I'm done fangirling. On to the actual review. Neely utilizes a thematic formula for this score, which works wonderfully. There isn't a single theme on this album I can find fault with. I don't mean to sound like more of a fan and less of a critic, but there's honestly not much to criticize here. As a result, this may be a shorter review than usual. Perhaps my only criticism with this score is that the electronic instruments in some of the action tr

Back when this film came out in 2006, there wasn't much hope for the future of Bond. The last few films had been train wrecks when it came to getting a good critical response. With the exception of Goldeneye and two or three Roger Moore films, there hadn't been a truly good Bond movie since Sean Connery gave up the role. That was all about to change. Eon Productions brought back Martin Campbell to direct Casino Royale, his last Bond film having been Goldeneye. What little hope there had been for Casino Royale was completely demolished when it was announced Daniel Craig would be playing Bond. It was a huge gamble. (No pun intended.) The film opens in the classic Bond manner, with Bond on a random mission which leads into a chase. Once we finally get to the actual story, we learn that a gambler named Le Chiffre (I'm still not sure how that's accurately pronounced) is joining a high-stakes poker game, and Bond is sent to join the game and beat him. It's immedia