Skip to main content

Arrow Season 1 Score Review



Blake Neely? What is she?” That was basically my reaction when I read who was composing for the Arrow TV series. I repent in dust and ashes, shaving my head and clothing myself in the most sack-ish of sackcloth. This. Score. Is. Phenomenal. Some amazing scores for superhero shows have come out over the years, but this re-defines amazing. In all reality, I would have to say this is very possibly better than the scores for most superhero films. I only know of two or three that are even slightly better than this. Okay, I'm done fangirling. On to the actual review.

Neely utilizes a thematic formula for this score, which works wonderfully. There isn't a single theme on this album I can find fault with. I don't mean to sound like more of a fan and less of a critic, but there's honestly not much to criticize here. As a result, this may be a shorter review than usual. Perhaps my only criticism with this score is that the electronic instruments in some of the action tracks can start to feel a little over-done, but this is only a minor complaint. While I'm on this subject, I will mention that this score does utilize electronic instruments, but they're evenly blended with orchestral ones. Often, their combination creates excellent action tracks.

The thing I love most about this score is its tone. It's easily the darkest superhero score I've ever heard, and yet it's very possibly the most hopeful one I've ever heard. I guess what I'm trying to say is you can feel Oliver's (otherwise known as Arrow, for those of you who aren't well-educated on superheroes) humanity. One minute, the score is riveting action and the next it's gut-wrenching emotion. The concluding track, in particular, does an incredible job of summing up his character.

Overall, I'm forced to give this a perfect score of 5 out of 5 hooded vigilantes. Some highlight tracks include: Five Years, I Forgot Who I Was, Train and Hunt, The Dark Archer; It Is I Who Failed This City, I Can't Lose You Twice, Sacrifice, and, lastly, Oliver Queen Suite. The last one especially is phenomenal. If you don't buy any other tracks, buy it. Ultimately, though, every single track is excellent. I'm just picking personal favorites.


Are you still reading this review? GO BUY THE SOUNDTRACK! NOW! STOP WASTING YOUR LIFE!

Comments

Popular posts from this blog

Revenge of the Sith Review

I’m sure you’ve probably heard that Revenge of the Sith is just slightly better than The Phantom Menace and Attack of the Clones. In my opinion, that is completely untrue. Revenge of the Sith is a masterpiece. Let me explain why I think so. First of all, the plot here is just so much better. Even the dialogue is greatly improved. It’s still not perfect, but it’s only cringe-worthy in a few scenes. That in and of itself is a huge improvement. Secondly, George Lucas has the power of his own legendary original trilogy behind him this time. Finally, we get to witness Anakin become Darth Vader. And it’s glorious. We finally get a little bit of believability when it comes to why Anakin turned to the dark side. This time, it’s not just because he was an arrogant brat. We’re finally able to believe that he was pushed over the edge. On a technical level, everything is flawless, and the CGI still looks incredible today. The acting is far better this time around, and Hayden Christensen i...

Incredibles 2

Incredibles 2 picks up right where the first left off: superheroes may be illegal, but the world’s greatest superhero family is still fighting crime uninhibited. Until, of course, they’re forced to stop. Soon, however, Elastigirl gets an offer that allows her to fight crime and fight for the legalization of superheroes. All is well. Incredibles 2 was the sequel everyone wanted, but no one expected. Arriving in theaters 14 years after the original, it might have been easy for the world to assume Pixar simply had nothing else of substance to offer from the world of the Incredibles. The world would have been very wrong. The film sees Brad Bird, director of the original film, make his triumphant return to the series. He wrote the film as well, ensuring the film’s singular, streamlined vision. Bird directs the film spectacularly, maintaining a consistent tone throughout and establishing an effective blueprint for the world the Incredibles inh...

The Hobbit: An Unexpected Journey Review

Ah, Peter Jackson. You sly son of a gun. Let’s hear it for him, people. He split one short book into three. Actual. Movies. And they were like three hours long each. Dang, that takes talent. If only it had worked. Yeah, that’s right. We all knew (except for me, as I was a wee lad at the mere age of thirteen or something) that there was absolutely no way this movie could live up to the hype. Congratulations, we were all right. Except for me, of course. I was wrong. That’s not to say that this movie is an atrocious wasteland of absolute filth like Batman & Robin. Compared to that movie, An Unexpected Journey is basically Return of the King or The Dark Knight. But heck, even a terrible movie like Star Trek: Nemesis could claim that honor. So, on to the review. An Unexpected Journey opens in dazzling fashion, with the infamous Smaug (does anyone know how you actually pronounce his name?) destroying Erebor. Soon enough, the dwarves arrive and the quest has begun. What is it I d...