Skip to main content

Arrow Season 1 Score Review



“Blake Neely? What is she?” That was basically my reaction when I read who was composing for the Arrow TV series. I repent in dust and ashes, shaving my head and clothing myself in the most sack-ish of sackcloth. This. Score. Is. Phenomenal. Some amazing scores for superhero shows have come out over the years, but this re-defines amazing. In all reality, I would have to say this is very possibly better than the scores for most superhero films. I only know of two or three that are even slightly better than this. Okay, I'm done fangirling. On to the actual review.

Neely utilizes a thematic formula for this score, which works wonderfully. There isn't a single theme on this album I can find fault with. I don't mean to sound like more of a fan and less of a critic, but there's honestly not much to criticize here. As a result, this may be a shorter review than usual. Perhaps my only criticism with this score is that the electronic instruments in some of the action tracks can start to feel a little over-done, but this is only a minor complaint. While I'm on this subject, I will mention that this score does utilize electronic instruments, but they're evenly blended with orchestral ones. Often, their combination creates excellent action tracks.

The thing I love most about this score is its tone. It's easily the darkest superhero score I've ever heard, and yet it's very possibly the most hopeful one I've ever heard. I guess what I'm trying to say is you can feel Oliver's (otherwise known as Arrow, for those of you who aren't well-educated on superheroes) humanity. One minute, the score is riveting action and the next it's gut-wrenching emotion. The concluding track, in particular, does an incredible job of summing up his character.

Overall, I'm forced to give this a perfect score of 5 out of 5 hooded vigilantes. Some highlight tracks include: Five Years, I Forgot Who I Was, Train and Hunt, The Dark Archer; It Is I Who Failed This City, I Can't Lose You Twice, Sacrifice, and, lastly, Oliver Queen Suite. The last one especially is phenomenal. If you don't buy any other tracks, buy it. Ultimately, though, every single track is excellent. I'm just picking personal favorites.


Are you still reading this review? GO BUY THE SOUNDTRACK! NOW! STOP WASTING YOUR LIFE!

Comments

Popular posts from this blog

The Hunger Games Review

Contrary to my initial opinion of it, The Hunger Games is not just another Twilight rip-off. This is, of course, a wonderful thing. It is apparent right from the start of the movie that its tone will be far darker than that of most movies based on young adult novels. This is ultimately its greatest strength. I’m not going to waste any time talking about the plot of the movie, or why it makes for a compelling story. If you don’t know it, Wikipedia can be helpful with things like that. First things first, though. The acting in this film is simply spectacular, and it would be an understatement to say that Jennifer Lawrence is apparently not an overrated actress. She perfectly captures the role of Katniss. The supporting actors certainly do a fine job in their roles, but it’s Lawrence who really steals the show here. As I said before, the film’s greatest strength is its dark atmosphere, and it isn’t afraid to kill off even major characters. This works wonders for it. In many places,...

Star Wars Rebels - Season One

When The Clone Wars was cancelled a few years back after Disney bought the rights to Star Wars, people all over the world freaked the heck out, myself included. And then, to make things worse, they announced the creation of Star Wars Rebels, a show that looked mediocre at best. As I often am about these types of things, I was quite wrong. Star Wars Rebels does in fact open with a few mediocre episodes, but the spirit of the original trilogy is apparent right from the start. This includes excellent characterization, an area in which the prequels failed miserably. While several of these episodes are rather lackluster, they’re always entertaining. Contrary to what you may have heard from those who hate this show for no apparent reason, it is not strictly for children. In fact, as the season progresses, it becomes more and more mature. The show abandons its formulaic stories for a far more involving story arc. The inspiration from the original trilogy becomes far more apparent ...

The Hobbit: An Unexpected Journey Review

Ah, Peter Jackson. You sly son of a gun. Let’s hear it for him, people. He split one short book into three. Actual. Movies. And they were like three hours long each. Dang, that takes talent. If only it had worked. Yeah, that’s right. We all knew (except for me, as I was a wee lad at the mere age of thirteen or something) that there was absolutely no way this movie could live up to the hype. Congratulations, we were all right. Except for me, of course. I was wrong. That’s not to say that this movie is an atrocious wasteland of absolute filth like Batman & Robin. Compared to that movie, An Unexpected Journey is basically Return of the King or The Dark Knight. But heck, even a terrible movie like Star Trek: Nemesis could claim that honor. So, on to the review. An Unexpected Journey opens in dazzling fashion, with the infamous Smaug (does anyone know how you actually pronounce his name?) destroying Erebor. Soon enough, the dwarves arrive and the quest has begun. What is it I d...