SkyWorld

Avengers: Infinity War is the cinematic event of a generation, an unparalleled and previously un-attempted 10-year gamble that paid off. The film is the first part of the culmination of the Marvel Cinematic Universe, masterfully and efficiently tying every previously established story thread into one movie. I’m sure you’re already familiar with the story, but I’ll hit some of the story’s high points just in case you’ve been living under a cultural rock for the last decade. Thanos, one of the universe’s most powerful beings, sets out to attain ultimate power by collecting all six Infinity Stones, each of which grants him a specific type of power. All that stands in his way are the Avengers. Infinity War was always destined to feel more like an event than a film, and those are expectations it easily lives up (or down) to. However, perhaps that’s more of a testament to the MCU’s excellent storytelling than to Infinity War’s preoccupation wi...

A Quiet Place is the story of a tight-knit family fighting for survival on an Earth that has been occupied by murderous aliens. A Quiet Place is the third film directed by John Krasinski, as well as the third he’s written. Despite his first two films receiving a lukewarm critical welcome, critics have lavished praise on A Quiet Place , considering it one of the best horror films in years. So, does it live up to the hype? It does. The film is ultimately a tour-de-force in the thriller genre, arriving on the scene and challenging any movie to create even half the tension it possesses. The film’s performances are all excellent. Most stunning, however, are the performances of Noah Jupe and Millicent Simmonds, who play the children in the family beautifully. They are able to capture a range of emotions rarely seen in even adult actors, and both seem to have bright futures ahead. John Krasinski and Emily Blunt have slightly more nuanced roles...

Incredibles 2 picks up right where the first left off: superheroes may be illegal, but the world’s greatest superhero family is still fighting crime uninhibited. Until, of course, they’re forced to stop. Soon, however, Elastigirl gets an offer that allows her to fight crime and fight for the legalization of superheroes. All is well. Incredibles 2 was the sequel everyone wanted, but no one expected. Arriving in theaters 14 years after the original, it might have been easy for the world to assume Pixar simply had nothing else of substance to offer from the world of the Incredibles. The world would have been very wrong. The film sees Brad Bird, director of the original film, make his triumphant return to the series. He wrote the film as well, ensuring the film’s singular, streamlined vision. Bird directs the film spectacularly, maintaining a consistent tone throughout and establishing an effective blueprint for the world the Incredibles inh...

Thor: Ragnarok is the third and final film in the Thor series. The movie finds Thor humbled, hammer-less, and in a desperate race against time to save Asgard. Ragnarok finds Taika Waititi taking over directorial duties, Kenneth Branagh having directed the first in the series and Alan Taylor having directed the second. Both Branagh and Taylor played the first two films dreadfully seriously. While the first had intermittent, light humor, the second film was oppressively dark and grim. Waititi corrects this problem in only five minutes. Ragnarok’s prologue alone contains more lighthearted fun than both of the previous films combined. Waititi has a bit of a reputation for his oddball sense of humor, but it works wonders for Ragnarok . Waititi suggested that much of the film’s dialogue be improvised, and it does a great deal to reinforce the film’s themes of uncertainty and insecurity. The randomness and off-the-wall quality of the jokes makes...

Spider-Man: Homecoming is the Spider-Man film that should never have succeeded. Reboot after reboot finally gave us a Spider-Man series we can safely trust will be consistently good. I’m going to touch on a few plot points, but no spoilers. Picking up in fresh territory, after the apparent death of Uncle Ben, Homecoming takes us down a thematic path we’ve never seen before. Gone is the dark brooding, the constant crying, and the cheesiness. Instead, we’re confronted with comedy, plot twists, and heart in (mostly) all of the right places. Homecoming could really only be rightfully classified as an action-comedy or comedy-action. There are probably more jokes than punches thrown, now that I think about it. And yet the comedy is miraculously far-removed from the cringe-worthy quips found in most Marvel movies. It’s genuinely, consistently, and thoroughly hilarious. Another fresh element is Peter’s relationship with Aunt May. Gone is...

Oh, The Force Awakens, you really thought you could show up on the scene and not be polarizing. You were so wrong. Spoiler alert for anyone who, by some magic, hasn’t seen this movie yet, because I’m about to dissect the heck out of this film and also The Phantom Menace’s plot. Let’s jump right into the story. The evil First Order has tracked a map containing the coordinates of the location of Luke Skywalker to a planet, where the Resistance races against time to get the map first. The Resistance pilot going after the plans, Poe Dameron, is captured; his droid, however, escapes with the map. Sound familiar? Well buckle up, kids. Familiarity is about to slap us in the face. Repeatedly. From there, the pilot is rescued by a dude in stormtrooper armor (to be fair, he is a stormtrooper), Finn. He’s a traitor to the First Order, and together they escape. The droid with the map, meanwhile, has made his way to a young adult female (why ...

Tomorrow Never Dies boasts what may be the most absurd plot of any Bond film. The head of a media outlet tries to start wars in order to have a monopoly on the media coverage of them. If you can’t comprehend the absurdity of that, let me try to give another example. CNN starts World War 3 and has journalists in place to report these events before anyone else can, and no one on the face of the earth thinks that’s shady in any way, shape, or form except for MI6. The question we should all be asking ourselves is how the heck this movie managed to actually be kind of good with a plot like this. The opening sequence is not quite as exhilarating as we’ve come to expect from Brosnan Bond movies, but it’s competent enough. From there, we’re plunged directly into the story. The first act takes its time, explaining delicately in a detailed manner exactly what the media mogul’s plan is, and how he’s going to carry it out. His plot may be absolu...

Let’s be honest. It doesn’t matter what a Christopher Nolan movie is about; if he directed it, we’re going to watch it. Dunkirk focuses on an actual historic event, a first for Nolan. He executes it beautifully. Also, this is spoiler-free. Dunkirk, like many (or maybe all?) of Nolan’s films, places emphasis on time. In Dunkirk, three story threads are followed, each occurring over a different duration of time, but all converging in the end. This can make for a slightly confusing or even frustrating (in parts) narrative, but most of the time it’s all relatively easy to follow. I’ve thought about it for quite some time, and I’m quite certain that is done both for the sake of heightened realism and tonal consistency. The three interweaving plot threads help greatly in keeping the story interesting, and all three’s contributions to growing intensity make for one of the most claustrophobic and uneasy films I’ve ever seen. Because o...

Ah, Wonder Woman: the anomaly of the DC Extended Universe is the movie that most of us expected to continue the trend of mediocre or even atrocious films. We were all shocked when it became one of the best-reviewed superhero films of all time. Spoiler alert: I’m about to discuss the ending in detail. The plot is a fairly standard, straightforward origin story. It’s given more depth than usual by the fact that the film is set during World War 1. The pacing of the film’s first act is absolutely impeccable, setting up everything to follow with great efficiency. We’re given time to get to know the characters, understand their motivations, and we’re told the backstory that will play into the film later early on in a completely organic way. After Steve and Diana leave Themyscira, the plot begins to move quickly. After a bit of discussion, they decide to join the war with a small band of men. This is the point at which Diana truly comes...