Skip to main content

The Hobbit: The Battle of the Five Armies Review



Ugh. I desperately wanted to love this movie after Desolation of Smaug absolutely defied all of my slightly pessimistic expectations. It just wasn’t as good as it could have been, though. That’s not to say it’s as bad as An Unexpected Journey, though. Because it’s not. It’s pretty good. Okay, I’m going to stop being vague and just move on to the actual review.

Battle of the Five Armies picks up mere minutes after Desolation of Smaug ends, and honestly the first 15 minutes or so are absolutely bizarre. Moving on though. I honestly thought that the first hour of this movie was excellent, though Thorin’s dragon-sickness did begin to drag on a bit towards the end, and when it did finally end, it was in an absolutely bizarre scene. Okay, moving past the bizarre scenes. This movie excels in its more quiet and emotional moments. Then the battle comes. This should have been the most amazing battle in cinematic history. But it just wasn’t. I’m not going to say it kind of drug on and on, because it didn’t. It just felt really un-involving at times, and I really wish they had taken a bit more of a Helm’s Deep-ish approach to this battle, rather than just focusing on a few of the characters’ battles instead of the overall battle. I’m nitpicking though. This is really not a movie in a traditional sense. It’s basically a 2 ½ hour battle, so it’s obviously going to be hard for me to review it. Nearly all of the characters are finally explored in some depth, something I felt was desperately needed in the first installment. I feel like if about 30 minutes of the battle were taken out, this film would have been far better. But they aren’t, and so it does tend to drag a bit in parts. It doesn’t remain uninteresting though, as it always switches back to something or someone we care about.


The hour or so before the battle and the aftermath of the battle were my favorite parts of the movie. In those parts, we got to see a glimpse of Peter Jackson’s magical touch, and it reminded me of why the world loves Lord of the Rings so much. Both of these sections were emotionally driven, and ultimately that’s what I didn’t like about the battle section of the movie. In Lord of the Rings, even the battles were emotionally driven. In the battles at Moria and Parth Galen, you could feel the Fellowship’s fear and desperation. In the battle at Helm’s Deep, you could feel the sheer terror, and then the triumph at the end. In the battle of Minas Tirith, you could feel the fury of the Rohirrim and the desperation of the Gondorians. That’s what was ultimately missing from this movie. In the endless stream of battle scenes, the emotion tends to often get lost. Ultimately, though, I still liked this movie, and I would recommend it. It’s a fitting conclusion to the Middle-Earth that so many of us grew up with, and some of the magic that made us love those movies so much is present here. The acting is still phenomenal. Martin Freeman once again absolutely nails his role as Bilbo. To me, he will always be Bilbo. I also feel that I need to mention Ian Mckellen, as I haven’t in my other two reviews of this trilogy. He is still absolutely excellent as Gandalf, and in some parts of this series, he carries the movies on his shoulders. I also feel like it would be a crime to conclude without mentioning the incredible score of Howard Shore. More than perhaps anyone else, he helped to define this incarnation of Middle-Earth with his truly phenomenal scores. Also I want to mention that Billy Boyd’s “The Last Goodbye” is a truly excellent, deeply moving song that harkens back to Into the West. This is a flawed movie in a flawed trilogy, but ultimately I would recommend it, just on the basis of it being a mostly satisfying farewell to this world that we all love so much. Bravo to all involved. It’s been a truly remarkable journey.3.8/5 stars.

Comments

Popular posts from this blog

A Quiet Place

A Quiet Place is the story of a tight-knit family fighting for survival on an Earth that has been occupied by murderous aliens. A Quiet Place is the third film directed by John Krasinski, as well as the third he’s written. Despite his first two films receiving a lukewarm critical welcome, critics have lavished praise on A Quiet Place , considering it one of the best horror films in years. So, does it live up to the hype? It does. The film is ultimately a tour-de-force in the thriller genre, arriving on the scene and challenging any movie to create even half the tension it possesses. The film’s performances are all excellent. Most stunning, however, are the performances of Noah Jupe and Millicent Simmonds, who play the children in the family beautifully. They are able to capture a range of emotions rarely seen in even adult actors, and both seem to have bright futures ahead. John Krasinski and Emily Blunt have slightly more nuanced roles...

Wonder Woman

Ah, Wonder Woman: the anomaly of the DC Extended Universe is the movie that most of us expected to continue the trend of mediocre or even atrocious films. We were all shocked when it became one of the best-reviewed superhero films of all time. Spoiler alert: I’m about to discuss the ending in detail. The plot is a fairly standard, straightforward origin story. It’s given more depth than usual by the fact that the film is set during World War 1. The pacing of the film’s first act is absolutely impeccable, setting up everything to follow with great efficiency. We’re given time to get to know the characters, understand their motivations, and we’re told the backstory that will play into the film later early on in a completely organic way. After Steve and Diana leave Themyscira, the plot begins to move quickly. After a bit of discussion, they decide to join the war with a small band of men. This is the point at which Diana truly comes...

Thor: Ragnarok

Thor: Ragnarok is the third and final film in the Thor series. The movie finds Thor humbled, hammer-less, and in a desperate race against time to save Asgard. Ragnarok finds Taika Waititi taking over directorial duties, Kenneth Branagh having directed the first in the series and Alan Taylor having directed the second. Both Branagh and Taylor played the first two films dreadfully seriously. While the first had intermittent, light humor, the second film was oppressively dark and grim. Waititi corrects this problem in only five minutes. Ragnarok’s prologue alone contains more lighthearted fun than both of the previous films combined. Waititi has a bit of a reputation for his oddball sense of humor, but it works wonders for Ragnarok . Waititi suggested that much of the film’s dialogue be improvised, and it does a great deal to reinforce the film’s themes of uncertainty and insecurity. The randomness and off-the-wall quality of the jokes makes...